top of page

Selected TEXTS, REVIEWS, PRESS

2023 REVIEW: The Irish Times for Powerful Trouble at The Dublin Theatre Festival

2023 REVIEW: Salzburg Press for The Song of the Bleeding Tree

2023 REVIEW Austrian Press for The Song of the Bleeding Tree

2023 REVIEW,International Journal of Performance Arts and Digital Media,  Routledge, Dr Kate Antosik-Parsons

 

2023 The violence of the blur - Aideen Barry on art's power to shock

2023 100 Irish women 2023

2022 The pilgrim's mirror - artist Aideen Barry on thinking visual

2022 Klostės, a text by Aideen Barry for the Arts Council 70th birthday celebrations

2022 REVIEW: MUNSTER IN 30 ARTWORKS, THE IRSH EXAMINER

2022 KLOSTÉS Galway Film Fleadh RTE Radio Interview 

2022 REVIEW; ART MAGZIN HUNGARY

2022 REVIEW : Art Rabbit 

2022 Art Forum Picks 2022

2022 INTERVIEW: Mujeres Mirando Mujeres  

2022 INTERVIEW DELFI LITHUANIA

2022 REVIEW: Art News Lithuania

2022 Controversy at the National Gallery - protest as a historic art form

2022 XVIII - Stories of TULCA, ISBN: 9781838228415

2022 TV INTERVIEW with LRT

2022 REVIEW: ECOC News

2022 Artist-run Democracy: Sustaining A Model – 15 years of 126 gallery

2022 INTERVIEW PRATIKA Magazine 

2022 Digital Art at Wilton Park, RTE Radio Arena interview 

2022 Totally Dublin interview

2021 INTERVIEW PODCAST VAI

2021 REVIEW: Dublin Art Life

2021 REVIEW LITHUANIA CINEMA

2021 Golden Fleece Award winners 2021 announced

2021 “Strange Mothers: The Maternal and Contemporary Media Art in Ireland” In: Digital Art in Ireland: New Media and Irish Artistic Practice. London and New York: Anthem Press, 2021.

2021 Artist Aideen Barry's Oblivion to stream live on RTÉ Culture

2020 Covid Chronicles: Aideen Barry | Portrait of an Artist in a time of plague

2020 ArtTerritory Interview

2019 Gaping mouth’d…on the Politics of the Body in the Work of Aideen Barry and Alice Maher Dr. Tina Kinsella, fair is foul, & foul is fair, 2019

2019 Somatic Encounter; the Politics of the Body in the work of Irish artists, Aideen Barry and Alice Maher, NYU

2018 Palgrave Handbook to Contemporary Irish Performance Practices, Una Mannion, Palgrave

2018 No more workhors interview

2017 REVIEW 21st Century Ireland in 21 Artworks: Weapons of Mass Consumption

2017 The Sunday Times interview

2016 REVIEW:Five-star review: Domesticity rendered wonderfully weird, The Irish Times, Aidan Dunne

2016 REVIEW; FRIEZE ART MAG, Gemma Tipton


2014 Strange Terrain, essays by Sara Reisman, Charlotta Kotik and a short story by Robert Walser  ISBN:9780992964108. HQ Design, published by MM Art 

         Books & Repo

 

2014 Performance Art In Ireland, Aine Philips, LADA Press


2012 Beatiful Decay a printed project curated by Amir H. Fallah and Nathan Larmendy


2011 Creative Ireland:The Visual Arts,Contemporary Visual Art in Ireland 2000-2011


2011 Gravity, Limited edition publication with Crawford Municipal Gallery


2011 Mother’s Annual, 2011 with text’s by Luke Clancy and Catherine Morris


2011 Apertures & Anxieties, RHA/Trinity School of Medicine Associated Press c


2011 Mother’s Annual, ISBN 0-9554501-4-4 2010 2010 with text;s by Luke Clancy and Mai Blount

 

2010 Culture Hall, Silke Bitzer.


2010 Terror & The Sublime, Limited edition publication with Crawford Municipal Gallery


2010 Futures 2010/2009, Royal Hibernian Academy


2010 Dystopian Domestic, Limited Edition, Artist Publication


2009 Noughties but Nice, ISBN: 0-9553668-9-5/978-0-9553668-9-5 LCGA Publications and Atelier

 

2009 Behind Smoke and Mirrors SBN 0-955668-8-7/978-0-9553668-8-8 LCGA and Atelier


2007 House Projects ISBN: 978-0-9549844-2-7 Published by Atelier projects


2006 Brochure Limited edition, publication with Ard Bia Gallery.

 

2005 Annimacarrig, The Tyrone Guthrie Residency. 25 years of the programme with various contributors

 

2005 Representing Art in Ireland. Fenton Gallery, Nuala Fenton.

bottom of page